According to the art: This movie was created to render the seizure experience of people with epilepsy.; the storyline is secondary to this aim. It also shows how filmmaking can be effective in capturing the seizure experience in ways that other art forms cannot.
According to the art: This novel covers a sixty–year span of a woman’s life and how the period during her husband’s early-onset Alzheimer’s disease affected the trajectory of her life as a spouse, a mother, a nurse, and a person with dreams and ambitions. Insights are offered on family relationships, daily life, and health care delivery and financing. How denial manifests and evolves is explored, and how grace can come to the fore is rendered.
Projects So That I Can Say More
According to the art: Here are excerpts from the novel The Days of Ptolemy Grey that extend or elaborate on classic biomedical explanations of what people experience with dementia.
According to the art: Alphonse Daudet was a nineteenth century French writer whose syphilis progressed to the late stages involving devastating neuropsychiatric effects. The book comprises notes he made about his experiences with pain, unsteadiness and paralysis, what chronic pain and illness does to personal outlooks, isolation, and relationships, and the pleasures and pains of morphine.
Projects So That I Can Say More
According to the art: Here are excerpts from a literary nonfiction book that extends and elaborates on classic biomedical explanations of what people experience with dementia.
Projects So That I Can Say More
According to the art: Here biomedical text describing tabes dorsalis, a manifestation of neurosyphilis is compared to literary descriptions made by Alphonse Daudet based on his own sufferings from the condition.
According to the art: Samantha Harvey endeavors to show the experience of Alzheimer’s dementia from early stages to end stages through a character’s life. She also imagines what it could be like for a person to realize they are progressing through dementia. The experience she imagines hinges on not just that memories and facts are unavailable, but that they can come back as independent agents to cause confusion, disorientation, and fear.
Through an interplay among set designs, lighting effects, repeated scene sequences, and time loops, this play gives the audience a sense of the dementia experience, not just a view of it. The audience at times has as much trouble as the character with dementia discerning fact from fiction, past from present, and here from there.
According to the art: This TV series portrays the health care a New York City hospital provided to its patients in the early 1900s. It shows what were then considered important advances in society, culture, technology, and medicine, many of which were later considered dangerous, unethical, barbaric, inhumane, and racist. The series pointedly asks whether all eras, including the era when it was created are doomed to be seen that way.
According to the art: Franzen looks back to describe his father’s experience with progressive dementia, while worrying that his memories may be unreliable––yielding a literary meta-analysis of failing memory through inherent memory failings. He thus questions whether memory loss with age is more natural than pathological.